The pianist BradMehldau put out his Largo album 20 years ago today, in 2002. It deviated from the more traditional piano/bass/drums lineup of his series of five Art of the Trio albums he had put out from 1996 to 2000.
The first song on Largo, “When It Rains,” is a transcendent exploration:
The album includes covers of two songs on the Beatles’ White Album (“Dear Prudence” and “Mother Nature’s Son”) and Radiohead’s “Paranoid Android.” Here’s the Radiohead song:
H-D-H wrote “Baby Love,” which made the Supremes the first Motown group to have multiple #1 singles in the US. Here’s a live performance by the Supremes (with Diana Ross singing lead):
Here’s a video of Dozier talking about writing some of the H-D-H songs. He keeps saying about different songs: “It’s always about love. … It’s all about love.”
That video ends with Dozier talking about “How Sweet It Is (To Be Loved by You),” which was originally performed by Marvin Gaye, before James Taylor recorded an even more successful version. Here’s the original:
Dozier grew up in Detroit. In 2004, he told NPR it was an elementary school teacher who liked his writing and encouraged him to keep at it. “She thought it was very astute of me to have such a feel for words and stuff,” Dozier said, “So I started to put these words to music by the time I was, like, 12 or 13.”
NPR neglects to mention that H-D-H went beyond just songwriting, as Wikipedia explains:
During their tenure at Motown Records from 1962 to 1967, Dozier and Brian Holland were the composers and producers for each song, and [Brian’s older brother] Eddie Holland wrote the lyrics and arranged the vocals.
During [Berry] Gordy’s reign at Motown, the record label was run like an auto plant because that was the only other work environment the boss knew, Mr. Dozier said. The songwriters, session musicians and others had to punch a clock. As part of “quality control” each Friday, H-D-H and other songwriters had to write down their songs from the week, and Gordy and other executives would vote on the ones they liked.
The H-D-H songs were usually the winners, Mr. Dozier said.
Lamont Dozier said that he wanted to write “a journey of emotions with sustained tension, like a bolero. To get this across, I alternated the keys, from a minor, Russian feel in the verse to a major, gospel feel in the chorus.” He developed the lyrics with Eddie Holland, aiming for them to sound “as though they were being thrown down vocally.” Dozier said that they were strongly influenced by Bob Dylan at the time, commenting: “We wanted Levi [Stubbs] to shout-sing the lyrics … as a shout-out to Dylan.” For the recording, the writers and producers intentionally put Levi Stubbs at the top of his vocal range, according to Abdul Fakir of the Four Tops, “to make sure he’d have that cry and hunger and wailing in his voice.”